Antípoda. Revista de Antropología y Arqueología

Antipod. Rev. Antropol. Arqueol | eISSN 2011-4273 | ISSN 1900-5407

Ye’kuana Interweavings: Orality, Myth, Art-Craft

No. 31 (2018-04-01)
  • Alessandra Caputo Jaffe

Abstract

This article explores indigenous art-crafts of the Ye’kuana society of the Venezuelan Amazon. In particular, it focuses on its basketry: its mythical meaning as well as its importance as a mediator with the criollo or Westernized world. We aim to show how these oral traditions and their visual languages have permeated their myths and bodies of ancestral knowledge over time and resisted abrupt changes, such as their contact with the European or “Western” world. In this way, we contrast the valuation of their craftwork by the criollo or Westernized market with the value given to it by the cultures which produce them. This study shows the extent to which oral cultures are capable of shaping and adapting themselves to new contingencies and sociocultural exigencies, without losing their ancestral knowledge.

Keywords: handicraft, basketry, myth, indigenous art-crafts, Ye’kuana, oral culture

References

Amodio, Emanuele. 1997. La artesanía indígena en Venezuela.Caracas: Dirección Nacional de Artesanías y Arte Popular, Consejo Nacional de la Cultura.

Amselle, Jean-Loup. 1999. Logiques métisses. Anthropologie de l’identité en Afrique et ailleurs.París: Payot.

Arroyo, Miguel, LourdesBlanco y ErikaWagner, (eds.). 1999. El arte prehispánico de Venezuela. Caracas: Fundación Galería de Arte Nacional.

Arvelo-Jiménez, Nelly. 2000. “Three Crises in the History of Ye’kuana Cultural Community”. Ethnohistory 47: 731-746.

Barandarián, Daniel de. 1979. “Introducción a la cosmovisión de los indios Ye’kuana-Makiritare”. Montalbán 9: 737-1004.

Caputo-JaffeAlessandra. 2014. “Continuidad y cambio en el arte indígena en Venezuela. Entre la estetización de lo sagrado y la desacralización del mundo indígena”, tesis de doctorado, Universitat Pompeu Fabra, España.

Civrieux, Marc de. 1992. Watunna. Mitología Makiritare.Caracas: Monte Ávila.

Danto, Arthur. 1989. Artifact and Art: African Art in Anthropology Collections.Nueva York: Center for African Arts.

Descola, Philippe. 2009. “L’Envers du visible: ontologie et iconologie”. Actes du colloque international: Histoire de l’art et anthropologie. París: Musée du Quai Branly.

Graburn, Nelson. 1976. Ethnic and Tourist Arts: Cultural Expressions from the Fourth World. Berkeley: University of California Press.

Guss, David. 1994. Tejer y cantar.Caracas: Monte Ávila.

Guss, David. 2007. “All Things Made”. En The Anthropology of Art. A Reader, editado por HowardMorphy y MorganPerkins, 374-386. Victoria: Blackwell.

Ingold, Tim. 2015. Líneas. Una breve historia.Barcelona: Gedisa.

Lévi-Strauss, Claude. 2005. Mitológicas I: Lo crudo y lo cocido.México: FCE.

Lévi-Strauss, Claude. 2006. El pensamiento salvaje.México: FCE.

Mosonyi, Esteban, MiguelAcostaSaignes, Raúl Domínguez, NellyArvelo, HenryCorradini, GloriaGuerrero, WalterCoppens, AlexanderLuzardo, SaúlRivas, ArcadioMontiel, RamónCasillo y SimeónGiménes. 1981. El caso Nuevas Tribus.Caracas: Editorial Ateneo de Caracas.

Pasztory, Esther. 2005. Thinking with Things: Toward a New Vision of Art.Austin: University of Texas Press.

Phillips, Ruth y ChristopherSteiner. 1999. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds.Berkeley: University of California Press.

Sennett, Richard. 2009. El artesano.Barcelona: Anagrama.

Severi, Carlo. 2009. “L’univers des arts de la mémoire. Anthropologie d’un artefact mental”. Annales HSS 2: 463-493.

Viveiros de Castro, Eduardo. 2002. A inconstância da alma selvagem e outros ensaios de antropologia.São Paulo: Cosac & Naify.

Wilbert, Johannes. 1972. Survivors of Eldorado. Four Indian Cultures of South America.Nueva York y Londres: Praeger Publishers.

Young, James O. 2008. Cultural Appropriation and the Arts.Oxford: Blackwell Publishing.