H-ART. Revista de historia, teoría y crítica de arte

hart. Rev. Hist. Teor. Crit. Arte | eISSN 2590-9126 | ISSN 2539-2263

Inscripción, lugar y memoria: arte rupestre palimpsesto y la evolución de los paisajes sociales andinos en las tierras altas durante el Período Formativo (1500 - 200 a. C.)

No. 5 (2019-07-01)
  • Gordon Ambrosino

Resumen

La memoria, más que simplemente un medio para recordar, es una creación cultural activa, y las inscripciones en piedra encontradas en algunos paisajes construyen memorias al situar narrativas arraigadas en lugares específicos. Para modelar la memoria en términos de conexión con un lugar a través de inscripciones, el presente estudio se enfoca en un complejo panel de petroglifos en palimpsesto en el sitio de Kiñan Tanka, en las tierras altas del centro-norte de los Andes. Examinamos datos adquiridos a través del modelado fotogramétrico y de las representaciones vectoriales de este panel junto con datos de excavaciones recientemente realizadas en tres sitios de arte rupestre cercanos, con el propósito de revelar una tradición de inscripciones que se extendió durante unos 1300 años (1500 - 200 a. C.). Las relaciones espacio-temporales de la iconografía de Kiñan Tanka se consideran dentro de su contexto como un lugar venerado y como un umbral entre mundos distintos durante el Período Formativo.

Palabras clave: Período Formativo, Palimpsesto, Fotogrametria, Norte-centro de los Andes, Arte rupestre, Paisaje

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