H-ART. Revista de historia, teoría y crítica de arte

hart. Rev. Hist. Teor. Crit. Arte | eISSN 2590-9126 | ISSN 2539-2263

Written in the Mist, Knit with the Body: The Textile Impulse in an Installation by Cecilia Vicuña

No. 6 (2020-01-01)
  • Carla Macchiavello

Abstract

The visual and poetic work of Cecilia Vicuña has been characterized by incarnating the act of weaving through diverse media, turning it into a political act of resistance. Taking the multi-media installation Disappeared Quipu (2018) as a case study, this paper proposes approaching Vicuña’s work as a re-pairing gesture, an ecological textile impulse that interlaces the Andean cosmovision with a multisensorial spatial sensibility.

Keywords: Weaving, Khipu, Poetry, Soft Sculpture, Ecology, Installation Art

References

Albers, Anni. On Weaving. Hanover: Wesleyan University Press, 1965.

Bryan-Wilson, Julia. Fray: Art and Textile Politics. Chicago: University of Chicago Press, 2017.

de Zegher, Catherine. “Ouvrage: Knot a Not, Notes on Knots”. The Precarious/QUIPOem: The Art and Poetry of Cecilia Vicuña, ed. Catherinede Zegher. Hanover, NH: Wesleyan University Press, 1997. 17-46.

Desrosiers, Sophie. “Les textiles de Paracas-Necrópolis: techniques et décors”. Paracas, trésors inédits du Pérou ancien. Paris: Musée du Quai Branly, 2008. 52-57.

Frame, Mary. “Las prendas bordadas de la necropolis de Wari Kayan”. Hilos del pasado, El aporte francés al legado Paracas. Lima: Instituto Nacional de Cultura, 2007. 65-73.

Franquemont, Ed. “The True Treasure of Andean Textiles”. Traditional Textiles of the Andes. Life and Cloth in the Highlands. Londres: Thames and Hudson, 1997.

Gardner Clark, Meredith. “Warping the Word and Weaving the Visual: Textile Aesthetics in the Poetry and the Artwork of Jorge Eduardo Eilson and Cecilia Vicuña”. Tesis doctoral, The University of Texas at Austin, 2012.

Haraway, Donna. Staying with the Trouble. Making Kin in the Chthulucene. Durham: Duke University Press, 2016.

Lamoni, Giulia. ““Diario de Vida” Cecilia Vicuña’s artistic practice in London (1972-1975) (A letter to Carla Macchiavello)”, Revista de Estudios Globales & Arte Contemporáneo 5, 1 (2017-18): 87-119.

Le Guin, Ursula K.. “The Carrier-Bag Theory of Fiction”, Dancing at the Edge of the World. Thoughts on Words, Women, Places. UK: Gollancz, 1989. 165-170.

Lippard, Lucy. “Spinning the Common Thread”. The Precarious/QUIPOem, ed. Catherinede Zegher. Hanover: Wesleyan University Press, 1997. 7-16.

Martin, Lois. “Nasca: Woven Cosmos and Cross-looped Time”. Textile 4,3 (2006): 312-339.

Parker, Rozsika. “A Naturally Revolutionary Art?”. The Subversive Stitch. Embroidery and the making of the feminine. Londres: The Women’s Press Limited, 1984. 189-215.

Paternosto, César. The Stone and the Thread. Andean Roots of Abstract Art, trans. EstherAllen. Austin: University of Texas Press, 1996.

Paul, Anne. Paracas Ritual Attire. Symbols of Authority in Ancient Peru. Londres: University of Oklahoma Press, 1990.

Peters, Ann H.. “La necrópolis de Wari Kayan”. Hilos del pasado. El aporte francés al legado Paracas. Lima: Instituto Nacional de Cultura, 2007. 23-31.

Rottner, Nadja. Claes Oldenburg, ed. NadjaRottner. Cambridge: The MIT Press, 2012.

Stewart, Susan. Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2002.

The Paracas textile, Brooklyn Museum. [Brooklyn, NY]: The Museum, 1991.

Urton, Gary. Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records. Austin: University of Austin Press, 2003.

Vicuña, Cecilia. About to Happen. New Orleans: Contemporary Arts Center, 2017.

Vicuña, Cecilia. AMAzone Palabramas. 1977-78. Brooklyn: The Circadian Press, 2018.

Vicuña, Cecilia. DIS SOLVING: threads of water and light, Drawing Papers 34. Nueva York: Drawing Center Publications, 2002.

Vicuña, Cecilia. La Wik’uña. Santiago: Francisco Zegers Editor, 1990.

Vicuña, Cecilia. Precario/Precarious. Nueva York: Tanam Press, 1983.

Vicuña, Cecilia. Read Thread. The Story of the Red Thread. Berlin: Sternberg Press, 2017.

Vicuña, Cecilia. Spit Temple. The Selected Performances of Cecilia Vicuña. Edited by RosaAlcalá. Brooklyn: Ugly Duckling Press, 2012.

Vicuña, Cecilia. Paracas, 16 mm transfered to video monocanal, 1983, 18:26 minutos.