The Western and Land Art: The Experience of the Threshold
No. 24 | 2026-10-09Author(s)
-
Alejandra Ramírez ZuluagaPontificia Universidad Javeriana Cali, ColombiaORCID iD: https://orcid.org/0009-0008-6524-8900
Abstract
This article establishes a juxtaposition between two artistic forms, Western and Land Art, regarding the way in which they use landscape as one of their constituent elements. Based on the relationship between the consolidation of landscape as an artistic matter in painting and the establishment of a subjective framework for appreciating and conceptualizing the natural environment, as well as on an analysis of specific artworks and elements from both movements, different points of convergence between western and land art are explored.
References
Asenap, Jason. “Hubris in Art Form”. Alta, 2022. https://www.altaonline.com/culture/art/a42042641/land-art-jason-asenap/?utm_source=social&utm_medium=copy&utm_campaign=action_bar.
Bazin, André. ¿Qué es el cine? Rialp, 2004.
Belting, Hans. Florencia y Bagdad: Una historia de la mirada entre oriente y occidente. Ediciones Akal, 2012.
Cassirer, Ernst. Individuo y cosmos en la filosofía del Renacimiento. Emecé Editores, 1951.
French, Peter A. Cowboy Metaphysics: Ethics and Death in Westerns. Rowman & Littlefield Publishers, Inc., 1997.
Kant, Immanuel. Crítica del juicio. Espasa-Calpe, 1977.
Lemaître, Henri. El cine y las bellas artes. Ediciones Losange, 1959.
Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. The New Press, 1983.
McBride, Joseph. Searching for John Ford. University Press of Mississippi, 2011. DOI: https://doi.org/10.2307/j.ctt12f56j
Morris, Robert. “Aligned with Nazca”. En Continuous Project Altered Daily: The Writings of Robert Morris. The MIT Press, 1993.
Morris, Robert. “Notes on Sculpture, Part 2”. En Continuous Project Altered Daily: The Writings of Robert Morris. The MIT Press, 1993. DOI: https://doi.org/10.1111/j.1467-8357.1994.tb00137.x
Rancière, Jacques. The Time of the Landscape: On the Origins of the Aesthetic Revolution. Polity Press, 2023.
Roger, Alain. Breve tratado del paisaje. Biblioteca Nueva, 2014.
Sabaté, Joaquín. “Paisajes culturales y proyecto territorial”. En El paisaje en la cultura contemporánea, editado por Joan Nogué. Biblioteca Nueva, 2008.
Sauer, Carl Ortwin. “La morfología del paisaje”. Traducido por Guillermo Castro Herrera. Geografía en Español - Traducciones, n.º 5 (2011): 1-25.
Simmel, Georg. “Filosofía del paisaje”. En El individuo y la libertad: Ensayos de crítica de la cultura. Ediciones Península, 2001. DOI: https://doi.org/10.7440/res10.2001.12
Slotkin, Richard. Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. University of Oklahoma Press, 1998.
Smithson, Robert. “The Spiral Jetty”. En The Writings of Robert Smithson. New York University Press, 1979.
Stoichita, Victor I. La invención del cuadro. Ediciones del Serbal, 2000.
Tiberghien, Gilles A. “El arte en los límites del paisaje”. En Paisaje y arte. Abada, 2007.
Tiberghien, Gilles A. Land Art. Princeton Architectural Press, 1995.
Wright, Will. The Wild West: The Mythical Cowboy and Social Theory. SAGE Publications, 2001. DOI: https://doi.org/10.4135/9781446217177
License
Copyright (c) 2026 Alejandra Ramírez Zuluaga

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.