Editorial
María Clara Bernal
Issue 7 | 2020
Table of Contents
Editorial
Open Topic
Women’s Arts and Gender Stereotypes in 19th Century Mexico during the 19th Century, as Discussed in Womens Publications
Alejandra Mayela Flores Enríquez
Embroidering Absence. Chronicle of an Embroidered Mourning
Agnès Mérat
In the Fray: Making and Meaning in Jenny Bowker’s Memorial Quilt After the Last Sky
Ann Murray
Reconfiguring the Methodologies for the Study of our Textiles: Weaving and Wearing the Huipil in Villa Hidalgo Yalálag
Ariadna Itzel Solis Bautista
Divine glares: Liturgical Ornaments From the Viceroyal Art Collection of the Convent of San Francisco de Lima
Emma Patricia Victorio
The Color of Sculpture. An Approach to the Study of Pigments in Nueva Granada
Adrián Contreras-Guerrero
Dossier: Colombia, Nineteenth century: Travel, Trade and Other Forms of Circulation
En defensa del siglo XIX: recordar es volver a vivir
Verónica Uribe Hanabergh
A Cosmopolitan Ambition: La Regeneración and the French Academic Nude in 19th-Century Colombia
Maya Jiménez
Promises and Paradoxes: The French Academic Model and Complementarity in Artistic Training at the School of Fine Arts in Colombia, 1886-1905
Carlos Alberto García Galvis
Orientalism in the Andes: Photographs by Melitón Rodriguez and Benjamín de la Calle in the Long 19th Century
Juanita Solano Roa
From Colombie avec amour: Colombian Art Through Paris During the 19th Century
Julián Serna
Titian Ramsay Peale’s 1831 “Obscure Expedition to Colombia”: Status Quaestionis of the Sketches at the American Philosophical Society
Verónica Uribe Hanabergh
Art History Questionnaire
Cuestionario sobre historia del arte
Yukio Lippit