Editorial
María Clara Bernal
Issue 4 | 2019
Table of Contents
Editorial
Open Topic
Modern Art in the National Museum of Colombia (1948–1963)
Alexandra Mesa Mendieta
The Franco Collection: An Educator’s Project, a State Purchase, and a Museum’s Tool
Santiago Robledo Páez
Dossier: The Art Market in Latin America. Value, Circulation and Consumption of Artworks During the 20th and 21st Centuries
The Art Market in Latin America. Value, Circulation and Consumption of Artworks During the 20th and 21st Centuries
María Isabel Baldasarre, Viviana Usubiaga
Market and Consacration: the Internacional Contest to erect the Monument to the Independence of Brazil
Michelli Cristine Scapol Monteiro
Local Cultural Associations as Fields for the Art Commerce in Buenos Aires. A Case Study
Catalina V. Fara
The market of identity. Nativism between collectors and galleries during the 20th century
Pablo Fasce
Art, money, and public institutions in Argentina. The National Endowment for the Arts (1958-1968)
Juan Cruz Andrada
Appearances of the Photographic Group La Carpeta de los Diez in the Last Fifteen Years of the Art Market in Buenos Aires
Julieta Pestarino
The Art Fairs in Rio de Janeiro and São Paulo: Democratization and Access to Art as a Marketing Strategy
Daniela Stocco
SP-Arte 2018: A Deterritorialized and ... Disconnected? Art Fair. Some Notes About the 14th Edition of One of the Most Important Marketing Events in the Southern Hemisphere and its Relationship with the Current Local Political Context
Raíza Ribeiro Cavalcanti
Art History Questionnaire
Cuestionario sobre historia del arte
Silvia Canalda
Reviews
68, 70, 72 Bienales de Coltejer. Sala permanente (Inaugurada el 23 de mayo de 2018). Museo de Antioquia. Medellín, Colombia
Federico Ardila