H-ART. Revista de historia, teoría y crítica de arte

The Image of the Black in Latin American and Caribbean Art, Book 1: From Colony to Nation, editado por David Bindman, Alejandro de la Fuente y Henry Louis Gates, Jr. Harvard University Press, 2024. 388 pp.

María Clara Bernal

2025-06-25

https://doi.org/10.25025/hart20.2025.11

El reto de curar lo íntimo: haceres y deshaceres en la obra de Nijolė Šivickas. Reseña de la exhibición Estudio. Nijolė Šivickas

Sofía Castañeda Mosquera

2025-06-25

https://doi.org/10.25025/hart20.2025.10

Doxa Ceramística. Sobre la exposición Piroplástica de Bernardo Montoya, Galería Salón Comunal, Bogotá. Julio de 2024.

Fernando Uhía

2025-06-25

https://doi.org/10.25025/hart20.2025.09

Los primeros pasos de una pionera de la cerámica en Colombia. Entrevista a Cecilia Ordóñez

Paula Acosta, Olga García

2025-06-25

https://doi.org/10.25025/hart20.2025.08

Editorial

Patricia Zalamea

2025-06-25

https://doi.org/10.25025/hart20.2025.00

Telling the History of Ceramics in Colombia: Absences and Continuities

Patricia Zalamea, Olga García, Paula Acosta

2025-06-25

https://doi.org/10.25025/hart20.2025.01

Tattoos in Baked Clay: Art and Metamorphosis in Precolonial Ceramic Roller Stamps from Middle Orinoco

Natalia Lozada

2025-06-25

https://doi.org/10.25025/hart20.2025.02

“From the Ancients”: The Place of Clay and Fire in Tuaté, Boyacá (Colombia)

Edwin Gabriel Avella Faura, Leonardo Bravo Niño, Neil Avella González, Manuela Avella

2025-06-25

https://doi.org/10.25025/hart20.2025.07

Material Dialogues in the Work of Cecilia Ordóñez: A Sensory Experience

María Angélica Pérez Peñaloza

2025-06-25

https://doi.org/10.25025/hart20.2025.05

Churichiga wii arü ügü: Stories of the Tikuna-Mägutá Pottery of San Martín de Amacayacu

José Gabriel Dávila Romero, Claire Davigo

2025-06-25

https://doi.org/10.25025/hart20.2025.06

Artistic and Gender Identities: Portraits, Men and Masculinities in Mexico's Academia de San Carlos during the Nineteenth Century

Alonso Mauricio Ortega Moctezuma

2025-07-15

https://doi.org/10.25025/hart.10260

Beatriz Daza's Melancholic Objects

Nicolás Perilla Reyes

2025-06-25

https://doi.org/10.25025/hart20.2025.04

The Real. Retrato de Norman Mejía (2004-2013)

María Isabel Rueda

2024-07-31

https://doi.org/10.25025/

Desplegar Prisma

Nicolás Gómez Echeverri; H-ART. Revista de historia, teoría y crítica de arte

2023-06-09

https://doi.org/10.25025/

Editorial

María Clara Bernal

2021-07-01

https://doi.org/10.25025/hart09.2021.01

"Contact Zones: Art History in a Global Network?”

Nuria Rodríguez-Ortega

2021-07-01

https://doi.org/10.25025/hart09.2021.02

Entangling with Artificial Life

Sofía Crespo

2021-07-01

https://doi.org/10.25025/hart09.2021.03

Introducing Digital Art History, A Collaborative Conversation

Anne Helmreich

2021-07-01

https://doi.org/10.25025/hart09.2021.09

Cuestionario sobre historia del arte Nuria Rodríguez-Ortega

Nuria Rodríguez-Ortega

2021-07-01

https://doi.org/10.25025/hart09.2021.10

Antonio Caro (1950-2021)

Paola Peña Ospina

2021-07-01

https://doi.org/10.25025/hart09.2021.11

Image-spam Failures in the Age of Hyper-Connectivity

Geraldiny Guerrero Muñoz

2021-07-01

https://doi.org/10.25025/hart09.2021.04

Memory, Heritage and Artistic Production: the Jesús Ramos Frías Artistic Documentation Center and the San Luis Potosí Artistic Practice Documentation System

José Antonio Motilla Chávez, Rodrigo Antonio Esqueda López

2021-07-01

https://doi.org/10.25025/hartaop.2021.05

Tecnoflâneurs and Fakirs: Art on the Other Side of the Digital Innovation Divide

Tirtha Prasad Mukhopadhyay, Reynaldo Thompson

2021-07-01

https://doi.org/10.25025/hart09.2021.07

Memory and the Contemporary Art Digital Archive: the Case of the Spanish Archive of Media Art

Juan Alonso López Iniesta

2021-07-01

https://doi.org/10.25025/hart09.2021.06

Editorial

María Clara Bernal

2021-01-01

https://doi.org/10.25025/hart08.2021.01

Search Results

The Image of the Black in Latin American and Caribbean Art, Book 1: From Colony to Nation, editado por David Bindman, Alejandro de la Fuente y Henry Louis Gates, Jr. Harvard University Press, 2024. 388 pp.

El reto de curar lo íntimo: haceres y deshaceres en la obra de Nijolė Šivickas. Reseña de la exhibición Estudio. Nijolė Šivickas

Doxa Ceramística. Sobre la exposición Piroplástica de Bernardo Montoya, Galería Salón Comunal, Bogotá. Julio de 2024.

Los primeros pasos de una pionera de la cerámica en Colombia. Entrevista a Cecilia Ordóñez

Editorial

Telling the History of Ceramics in Colombia: Absences and Continuities

Tattoos in Baked Clay: Art and Metamorphosis in Precolonial Ceramic Roller Stamps from Middle Orinoco

“From the Ancients”: The Place of Clay and Fire in Tuaté, Boyacá (Colombia)

Material Dialogues in the Work of Cecilia Ordóñez: A Sensory Experience

Churichiga wii arü ügü: Stories of the Tikuna-Mägutá Pottery of San Martín de Amacayacu

Artistic and Gender Identities: Portraits, Men and Masculinities in Mexico's Academia de San Carlos during the Nineteenth Century

Beatriz Daza's Melancholic Objects

The Real. Retrato de Norman Mejía (2004-2013)

Desplegar Prisma

Editorial

"Contact Zones: Art History in a Global Network?”

Entangling with Artificial Life

Introducing Digital Art History, A Collaborative Conversation

Cuestionario sobre historia del arte Nuria Rodríguez-Ortega

Antonio Caro (1950-2021)

Image-spam Failures in the Age of Hyper-Connectivity

Memory, Heritage and Artistic Production: the Jesús Ramos Frías Artistic Documentation Center and the San Luis Potosí Artistic Practice Documentation System

Tecnoflâneurs and Fakirs: Art on the Other Side of the Digital Innovation Divide

Memory and the Contemporary Art Digital Archive: the Case of the Spanish Archive of Media Art

Editorial

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